On this Wayback Wednesday here’s a Q&A I had with Howard Hewitt about 5 years back

Fitzroy…. ” ‘The Lover In You’ defined Shalamar as not just a dance group but the matrix one for me is ‘Sweeter As The Days Go By’ with that merry go round melody. Another record that reminds me of that is by a fellow Ohio native Steve Arrington’s ‘Mellow As A Cello’. What went through your mind when you first heard it as you can hear the emotion when you are singing it totally?”

Howard….”I love that song, it was part of the commitment album of us moving from RCA to Elektra. We all at Solar owed them another album before the move was completed. When Leon played it to me I loved it with the “shooby do wah” and so sweet lyrics. It had a good feel and Doo Wop feel and just sung it the way I felt it. There was a lot of good stuff on that ‘Go For It’ album.”

Will HH be singing ’Sweeter As The Days Go By’? Why not get ya ticket and ‘Make that move’ “right now babeeeh” for the 7th Sept @ Jazz Cafe

https://thejazzcafelondon.com/event/howard-hewett-shalamar-2/

Any Old Sunday started in November 2016 as a once a month Sunday afternoon to late evening soirée for those who were looking for alternative grooves to make them move. Starting in Kings Cross and with a few months sabbatical, we reconvened in the summer of 2017 and held down three regular residency venues in Camden and our last three were in Stoke Newington before the national lockdown in the spring of 2020.

Residents Dez Parkes, Dezzi D & Fitzroy(Soul Survivors) have a rich history together and between them in spinning and hosting Sunday sessions dating back to 40 years ago. The music selection is second to none as all three have reputation of plying eclectic music out of the box. Any Old Sunday has attracted a loyal devoted music lovers and dancers who like their music a little left of the right.

We are back monthly starting Sunday 12th September @ All Nations Bar 81 Broad Lane London N.15 4DW 4pm-9pm £5 admission on a nice wooden dance floor with space to slide & glide.. Food and refreshments are available and the venue is well ventilated and located just across the road from Seven Sisters underground station (Victoria Line) and the parking is free! If you really wanna ‘ Get On The Good Foot’ like JB we will see you 12th September @ Any Old Sunday.. “spread the word to those who may not have heard” Peace

https://www.facebook.com/events/994902234673564?acontext=%7B%22event_action_history%22%3A[%7B%22mechanism%22%3A%22search_results%22%2C%22surface%22%3A%22search%22%7D]%2C%22ref_notif_type%22%3Anull%7D

Whether you’re a ‘Plastic Man’,’Saint Or Sinner’, feeling ‘Young & Foolish’ or ‘Topsy Turvy’, if you wanna bring ‘Humpty Dumpty’ or are from ‘Stanhope Street’…next Thursday 12th August come down to The Jazz Cafe to see The Real Thing for the ‘Boogie Down(Get Funky Now)’ ‘Street Corner Boogie’. I’ll be spinning some ‘Can You Feel The Force?’ bullets from the 70s..doors open 7pm.. Make sure you’re there cause The Real Thing ‘Can’t Get By Without You’..You get me??
https://www.ticketweb.uk/event/the-real-thing-jazz-cafe-tickets/10891985?REFERRAL_ID=tmfeed

Good morning, here’s a Blue Peter one I drew earlier yesterday morning. Albeit I’m a COYS fan gotta big up this young Gunners and England football star. Just raising the profile of Mr Boom SAKA Laka a young African prince given the freedom to the borough of my old hood Ealing. Raise in Greenford UB6 15 minutes walk up the road from my local Perivale UB6 this 19 year old has achieved so much at his tender age than myself and many of my first and second generation Windrush teenagers did when we were a Paul Hardcastle na na na na ’19’ year old!!

This is one of those Sir Bob Geldof and The Boom Town Rats ‘I Don’t Like Monday’s’ moments, but I’ll say good moanin’ to the grumpy ones and good morning to the more philosophical thinkers. I was only 2 years old when a young, vibrant and all white England football squad won the World Cup in 1966. As a pre teenaged kid aged 12 10 years later I was part of the Perivale Middle School league winning squad class of 1976(middle row bang in the middle). Our squad really was Diversity in the mid 1970s before Ashley Banjo and his BGT crew took the stage in the millennium, with 7 African Diaspora Windrush children and one Asian brother and 8 white Caucasian kids. Racism in the UK was ever present, but as a multicultural team we wore our green & black stripes with pride just like the national team players did wearing the three lions last night. I went on to play for my Ealing Green High School and Sunday football for Perivale Dormers, hanging up my boots circa 1985 when I fell further in love with my spiritual wife music. As a Spurs fan I am used to the euphoric highs and agonising lows of football, and as a huge football fan at 57, I still like to think I could run with the ball like my nicknamed ‘Glue foot’ days of when I wouldn’t pass the ball, because I wanted to dribble like my idol Pele.

I watched England’s progress to the finals and despite being quite sceptical in the beginning I was pleased to see that diverse multicultural team reach the final. We can all be armchair commentators and managers sharing our Beverley Knight ‘Shouda Coulda Woulda’ theories, but with the end result that is the way the mop sometimes flops. I’m gonna be transparently honest..after Kane and McGuire score their respective penalties and saw that Rashford, Sancho and Saka would be taking theirs, I did put in an emergency Loose Ends ‘Dial 999’ “this is an emergency call” to the African Diaspora ancestors, to guide them in taking theirs, as I feared the worst of what has now materialised as in reality. I virtually and spiritually felt some of their pain in not scoring and I felt very protective our my young black brothers, because I knew this was going to be the calling card for the racists patriots and bigots. With all the documented racist abuse on social media people will still object to the significance of taking a knee!(Big up to the Italian Stallions for part taking in that process before the opening whistle was blown).

You see we that are non Caucasian, live in this world and this country knowing the system and anticipate in our auto pilot mode it’s triggers. We already know the anthems..”If ya white ya alright and if ya black stay back” or ‘Their ain’t no black in the Union Jack”. I predicted that the old school hooligan mentality would kick off if England lost and true to form it happened like it was written ‘In The Stone’ like EWF. There are those who think as blacks that when we serve the country we get a pass but if we are seen to disappoint then are dispensable like our ancestors were treated via slavery based on our colour. They practice their cognitive dissonance to what Raheem Sterling did carrying the team on the goal scoring front before Harry Kane found his shooting boots, and I’m so glad Raheem didn’t take and miss a penalty, as you can imagine that he would have gone from hero to zero status in the snap of a finger. This is where the ugly head rears itself in the so called ‘beautiful game’ sadly.😢

I saw the despair on Jack Grealish’s face and Gareth Southgate consoling a distraught Saka, and the shock off all the players and it was very uncomfortable watch. Regardless of the undesired outcome ‘This England’ team despite the trolling and objections to taking the knee showcased multiculturalism and did for at least the best part of three hours brought the country together, as well as through the whole tournament. That said congrats to Italy who other than England till the end of the final were undefeated in the Euro Championship and big up ya chest to all of the England team..who have great potential for the future with the injected pride via Gareth Southgate. I have a smile on my face this morning when I look at us liil Perivalian munchkins aged 12(some of whom I’m still mates with on Facebook) doing our bit for UK multiculturalism albeit innocently and bringing the shield home… shame that 45 years later there is no James Brown ‘Escapism’ from RACISM.. Peace and have a blessed day Fitzroy

9 years ago I was fortunate to have an in depth interview with Kenny Gamble & Leon Huff which was very enlightening. It was a members only issue but we do have some back issue which are available from our website shop. In our current issue 95 we feature an advert for an amzing box set Get On Board The Soul Train with a record review in the designated section of the magazine. It’s included in this Blog post so have a read and make sure you secure one and also grab yourself a copy of the issue 40 with the Kenny Gamble & Leon Huff interview.. Enjoy..Fitzroy

Issue 1 of TSSM July 2006

Today is a proper ‘Waybackintheday Wednesday’ for sure. It’s 15 years exactly on this date that the very first edition of The Soul Survivors Magazine was distributed to the soul surviving attendees at The Soul Village Weekender 7th-9th July 2006. This small acorn has grown into a teenaged soul tree that has produced 92 issues as the ‘info provider for the soul survivor’.

Co founded by Anna Marshall who left after 9 years in 2015 and myself still carrying with the baton, both of us novices and virgins at the time in the music publication industry, which already had a few still on going long serving and established soul music journals.
The Soul Survivors Magazine as a bi monthly printed and digital publication has been blessed to have some great contributors and advertisers too many to mention and featured interviews many with the following:

Smokey Robinson, Jocelyn Brown, Omar, Leroy Burgess, Jean Carn, Jeffery Daniel& Howard Hewitt (Shalamar), Melba Moore, Chaka Khan, Eddie Levert (O Jay’s), Robert & Ronald Khalis Bell (Kool & The Gang) Frankie Beverly (Maze),Greg Edwards, Robbie Vincent, Tony Blackburn, Dez Parkes, George Power Paul ‘Trouble’ Anderson, Chris Hill, Colin Curtis, Trevor Shakes, Brand New Heavies, John Legend, Leon Ware, Larry Blackmon (Cameo), Wayne Henderson, George Duke, Thelma Houston, Teena Marie, Tom Moulton, John Morales, Louie Vega, Josh Milan, Nile Rodgers (Chic), Steve Arrington (Slave) and Larry Graham (Sly & The Family Stone). Roy Ayers, Gwen McCrea, Gwen Dickey (Rose Royce), Harold Brown (War) Omar, Bluey (Incognito), Carleen Anderson, Courtney Pine, Gary Hines(Sounds Of Blackness) Rahsaan Patterson, Natalie Stewart aka Floacist (Floetry), Eric Roberson, Jazzie B, HB & Caron Wheeler(Soul II Soul), Marcus Miller & Angie Stone.

I’ve tried to keep this brief as I have so much more memorabilia to share over the next few weeks and I will be personally thanking the subscribers contributors and advertisers in the forthcoming various posts. Happy 15th to The Soul Survivors and long may we continue to be the’ info provider for the soul survivor’

‘Give Me The Reason’ ..here’s an excuse to pay homage to the 16th anniversary of Luther Vandross joining his rightful place in the creator’s choir with a Blue Peter one I painted earlier in May 2021

Luther Vandross was born on the 20th April 1951 in New York. He grew up in a lower Manhattan housing project until his father passed away when he was 8 years old. After this tragic event, he moved to the Bronx. Influenced by his parents and older sister singing, he formed a vocal group, whilst at the William Howard Taft High School, called Shades Of Jade with friends, Carlos Alomar, Diane Sumler and Fonzi Thornton. As part of a musical theatre workshop, they recorded ‘Listen My Brother’ which Luther and his group sang on the children’s TV program, Sesame Street in 1969. By 1973 he’d written 2 songs recorded by Delores Hall, one being a very funky duet ‘Whose Gonna Make It Easier For Me’. A year later school friend Carlos Alomar became David Bowie’s guitarist. Luther was invited to a recording session at the famous Sigma Sound Studios in Philadelphia, and Bowie upon hearing Luther’s velvet tones, recruited him for backing vocals on the ‘Young American’ album. In 1975, Luther co-wrote Bowies ‘Fascination’ and did his own version of ‘Funky Music’ on this, his debut project. It’s rumoured that Luther sang backing vocals on Bowie’s ‘Golden Years’ a track Luther would sing with disco outfit Mascara a few years later. His composition ‘Brand New Day’ was featured in both the film and Broadway musical of ‘The Wiz’.

Also in 1975 Luther with Patti Austin recorded vocals for Bob James’s ‘Westchester Lady’ which subsequently were taken off the final mix. When I spoke to Bob James for Soul Survivors in issue 34, Bob said later, whilst they were working together, Luther joked with him, that had Bob left the vocals on, Luther would have had an earlier solo career. Whilst working with Bette Midler, Luther met Arif Mardin of Atlantic. This helped to reacquaint Luther’s Shades of Jade outfit (with the addition of Christine Wiltshire, who later went on to work with Jocelyn Brown and Leroy Burgess) and they recorded two albums under the guise of Luther. Providential not coincidental, Nile Rodgers and Bernard Edwards were part of Luther’s Band reigniting their earlier collaborations from the Sesame Street band. Cotillion dropped the group and Luther ended up retaining the rights to the album. He became an in demand session singer working with Chic, headlining the backing vocals of their ‘C’est Chic’ debut album and the original instrumental version of ‘Everybody Dance’. Luther’s vocals graced Sister Sledge, Quincy Jones, Roberta Flack, Odyssey, Peter Jacques Band, BB&Q Band, Kleeer, Cat Stevens, Ringo Starr & Carole Bayer Sager’s music. As disco reached a peak in the latter 1970’s Luther fronted bands, Lemon, Gregg Diamond, Charme, New York City Band, Mascara and Change. The rest is history.

However between then and Luther touting for a successful record deal with Epic in 1981, it would appear that none other than Quincy Jones seemingly overlooked signing Luther Vandross. Speaking with Patti Austin in 2012 issue 36, Patti recalls working with Luther on her godfather Quincy’s Jones’ ‘Sound’s’ album and duets with Luther on ‘I’m Gonna Miss You In The Morning’. Luther also sings lead on the albums ‘Taking In To The Streets’. Patti says “Ironically Quincy has since admitted he didn’t see that vision of Luther. He loved him but didn’t pursue taking him under his wing but put him on the album. Quincy just didn’t get Luther’s potential and I thought, ok I’m trying to tell you something here LOL.” From the time Luther sealed the deal with Epic in 1981 he released album after album alongside his partner in rhyme bassist ‘Marvellous’ Marcus Miller. Luther co-wrote and produced his own albums as well other artist including Aretha Franklin’s ‘Jump To It’ and ‘Get It Right’ and Cheryl Lynn’s ‘Instant Love’. I always remember waking up Easter Friday 1985 to ‘The Night I Fell In Love’ like it was yesterday and although I was already a fan of his music, that album with the song, that‘ll make a grown man cry ‘My Sensitivity’, sealed the fan for life deal. Covering many a classic by artists Brenda Russell, Stevie Wonder, Burt Bacharach & Hal David, and Heatwave, Luther had a unique style of replicating a composition as though he’d sung it first.

Luther has sung with many female vocalists including Gwen Guthrie, Patti Austin, Dionne Warwick, Janet Jackson & Patti Labelle. I was lucky enough to see him in the mid 80’s at Wembley when he travelled the world doing live concerts. Luther was undoubtedly instantly recognisable on a track even if he was doing background vocals. His film credit includes ‘The Meteor Man’ a Robert Townsend film where he played a villain within a gang. He provided vocals for the 70’s gang epic ‘The Warriors’ soundtrack and Roberta Flack covered his ‘You Stopped Loving Me’ for the film ‘Bustin’ Loose’, starring Cicely Tyson and Richard Prior. Luther has lent his voice to many musical styles, mostly gospel & soul based, but he was very versatile in other genres throughout the changing faces of R&B music from the 1970’s to the 2000’s up until he passed. He has been sampled in hip-hop and rap, by many including Heavy D sampling ‘Don’t You Know That’ in ‘Got Me Waiting’, Queen Pen sampled ‘Never Too Much’ in ‘All My Love’ and Busta Rhymes rapped on Luther’s version of Bill Wither’s ‘Lovely Day’. Master’s At Work mixed ‘Are You Losing Me?’ and there was a very soulful unreleased house mix of ‘Take You Out Tonight’. One of the last releases that became a classic was ‘Shine’ sampling Chic’s ‘My Forbidden Lover’. In my interview with Melba Moore in issue 13 from 2008 she urged me to listen to her album ‘Closer’ and when you hear Luther on ‘Something On Your Mind’ you’ll understand why. Vocalist, songwriter, producer and an all around gifted African American artist of huge proportion. Luther Vandross passed 16 years ago on July 1st 2005. So as I never got to speak with him I thought I would honour him in the Soul Survivor’s Roll Call Of Fame.

Greetings,today is 12 years ago when my virtual ‘Big Boy’ brother Michael Jackson went into his deepest sleep. The truth be known, MJ was my first iconic influence aged 8 years old and I wanted to be like him. Yes even back then although I was a happy child I felt that being black had some negative connotations. The first record I ever bought out of my pocket money in 1973 was ‘Ain’t No Sunshine’. I never heard Bill Wither’s original till a few years later. My first slow dance at our Perivale Jnrs/Middle School disco circa 1973 was to MJ’s ‘Ben’. I had a T Shirt with his image on, watched The J5 cartoon on TV and later circa 1979 rocked his Afro hairstyle. I remember going to an Ealing Green High School trip to France in the same year and in the hostel that we stayed in, they had a juke box. Now between us young black soul rebels we pumped that Spotify playlist of it’s time full of French franc coins to hear ‘Don’t Stop Til You Get Enough’ on repeat as that was the best we was gonna get. I remember in 1983 deliberately missing my regular Friday night fling foot session at Electric Ballroom’s Double Disco to stay at home and watch the unveiling of the Thriller movie short video being shown around 1am on TV. Fast forward like a TDK C90 tape to 1994 my son Jamal is one years old and he is mesmerised by MJ studying his videos so intensely, that he would assume position and anticipate the moves before MJ executed them. Jamal’s first dancing experience on stage was aged 4 when he lived in Portugal and an MJ impersonator Billy Proud would ask Jamal to come out of the audience to dance with him. Jamal went on to become a dancer flinging foot light years ahead and with more eloquence than his pops did in my era. So I guess you can say MJ had a profound affect on me and my mini me. For me aged 8 seeing someone in my own African Diaspora image handsome, cute, singing, dancing and having his own black TV cartoon show, that was inspiring. So yes I did shed tears watching TV 25th June 2009 the night he passed.. not gonna lie. For me MJ was as smooth as his moonwalk and 2nd to his main mentor JB was the ultimate singing ‘Dancin’ Machine’. Needless to say I will be doing a 2 hour MJ influenced show on www.oursalsasoul.com this Sunday 8pm-11pm. MJ thank you for your ‘Music & Me’ legacy 🙏🏿♥