Greetings on this pinch punch first of the month and defo no returns 1st July 2016 Froback Friday. There certainly seems to be a massive “Ball Of Confusion” like The Temptations for peoples state of mind here in the UK since last weeks double Brexit and Punch & Judy show antics within politics in both the red and the blue camps. It’s been an emotive week of more twist and turns than a theme park roller coaster or an out of control tornado. But there is no Leroy Burgess “Confusion” about my digital memory of today’s post. 1986 was a vintage year that would impact on my life unknowingly for various reason. It was the spring and summer of that year when Kim Basinger and Mickey Rourke corrupted my not so innocent mind with the ‘sexsational’ at the time film “Nine And A Half Weeks”, but I just threw that in to get your attention.

Seriously 1986 was the year I started djing in the west end of London at a night club called “Oxfords” at the Tottenham Court Road end of Oxford Street, that apparently used to be Studio Valbourne, or so I’ve been advised. I made my debut alongside my fellow Pleasure loving music enthusiast Norman Cummins, on an Easter Bank Holiday Monday in April 1986, after contacting a fellow soul survivor comrade Joel Karamath, who had access to hiring the club. In short a now dearly departed and talented friend Debbie Miller, was leaving our front of house team at the musical “Starlight Express’s” home venue The Apollo Victoria Theatre, to do her first professional dance job. She was well loved and we managed with little time to pack the club out with those who were going to miss her presence. Joel teamed myself and Norman up with two guys I’d seen out but never previously conversed with Wayne Malcolm and Tony Francis who did the early set. This was the providential start of an Indeep “Last Night A DJ Saved My Life”

The night was an overwhelming success and as a bonus both myself and Norman were paid £50 each, when we were only doing this free for the love of a friend. A lightbulb went off in Joel’s head and he asked if we (myself ands Norman) would be interested in working with him and the other two dj’s, plus another who wasn’t present that night, on a regular Saturday night residency. I was most certainly interested and about 6 weeks later we got the nod it was actually going to happen. On the opening Saturday night in June 1986 it was then that I met this young man in the photo for the very first time. His name is Paul Martin and as collective of 6 we dj’d under the guise initially as “The Buzzboyz Inc”. This name concept as I’ve been advised was originally devised by Tony Francis who had been djing with his friend Wayne previously under this umbrella and working with Joel on various events. That may fill in the blanks as to why I was known initially as “Fitzroy from The Buzzboys” which became “Fitzroy The Buzzboy” which eventually morphed into “Da Buzzboy” Fitzroy, coined around 1998 by Summer Soulstice’s Jamie Topham then working in club promotions at Arista Records.

To cut a longer story short Norman left early after landing a dancing job abroad and the remaining Enid Blyton “Famous Five” did various gigs together until I left in February 1989 and went as Napoleon Solo free agent. Paul Martin who lived local to me in Wembley west London when I met him, was selling 7 inch imports with his mate a record dealer Mark, to some of the top underground warehouse and ‘Rare Groove’ funk Dj’s in London. I remember buying quite a few things like Kellee Patterson’s “I’m Gonna Love You More” on a 7 inch promo and The Chakachas “Jungle Fever” promo from him at his mums house. Paul went on to make his own history working at Steve Jervier’s Black Market Records in D’Arblay Street Soho, and was later snapped up by Giles Peterson to work at the newfound UK label division of Talking Loud. Myself and Paul forged our own musical paths outside of the our initial collective foundation, and over the years we have crossed paths many times. It’s always been good and mutually respectful whenever I see Paul when he is out and a “Jeremy Beadle About”. These days we tend to bump into each other at private industry parties, like last year at Louie Vega’s Ministry of Sound album launch, and on Tuesday 28th June 2016 at Angie Stone’s soiree in St Martin Lane’s The Library Gentleman’s club in WC2. I asked my IT consultant and magazine photographer Anna B to take this photograph, as it suddenly dawned upon me at Angie’s gathering, that Paul and I first met and dj’d together 30 years ago..That impromptu meeting was no accident. Happy 30th to us in my 30th year djing and 10 years in the making of The Soul Survivors Magazine that first hit the streets this month in 2006..”Happy Days” like Fonzie..”Ayyyyeeehhh” and a set of double thumbs up!!




Greetings on this Throwback Thursday, as I listen to some John Coltrane “Giant Steps”, big shoes were filled reflecting on ‘”The Morning After” like Curtis Hairston, an unprecedented day of a dolly mixture bag proportions of Euro football. I watched the enthralling 3-3 draw Portugal V Hungary game, only to be climaxed by the Republic Of Ireland’s massive pint of Guinness proportion defeat over the  slightly ‘Rocky’ Italian Stallions. More “Braveheart” as celts than Mel Gibson, I knew even though he missed a sitter moments earlier that when Wes Hoolahan wrapped his left foot around the ball in the 85th minute, that the inch eye private eye delivery, was somehow going to end up once touched by an incoming Irishman into the Italian goal. The disbelief on Robbie Brady’s face was enough to make all the Irish smiling eyes turn to tears of euphoria. By the way how d’you like me now as a football commentator ? John Motson or Jonathan Pearce I certainly am not but it is TBT!!


This is the start of my 6 degrees of separation post today. One of the other thing’s I’m passionate about other than my spiritual wife music, is growing up in Perivale Middlesex, that place in west London that’s at the end of the Central Line, that sounds like it’s way out in the countryside. Yesterday providentially I guess an old photo came up from a reunion 2 years back where I ‘”Reunited” like Peaches & Herb with some school chums I hadn’t seen in 40 years, since Perivale Middle School circa 1976. Our school had 4 house teams and when it came to sports in my era my house team were pretty much dominant during my 1973-1976 duration. There was St David’s who were yellow and affiliated to Wales naturally, St George’s (red) affiliated to Inguurrrlund(England), St Andrews(blue) for Scotland and last but certainly not least, St Patricks the lucky green shamrocks flying the flag for Ireland. I was proudly in St Patricks and we had some of the best footballers including from memory ‘Runny” Stephen Hawkins. Phil Holmes(wicked goalkeeper) Kenton Kerr and Richard Shelly (whatever happened to him?). So I was always a ‘Proud Paddy’ which unbeknown to me had a more significant association with the green celtic pastures of Ireland.


My surname is Facey and I was advised at some point in my life that it was of celtic origin either Scottish of Irish. I grew up initially in my first 8 years in London NW10 which was quite heavily populated with an Irish community and my child minder Liz Hills in Harlesden was Irish whose sadly no longer here. I always remember her telling me to eat the crust of my bread as it would make my hair curly (bless you Liz it already was). On Monday I spent the day speaking with someone from the British Institute Library who is documenting my history as a black Briton growing up in Blighty, and some of what is in this is mentioned, again another providential old school ‘Connect 4’ in this conundrum. Well this morning I googled the origin of the Facey name and it actually initially originates from Normandy France, around the Battle Of Hastings 1066 historical period. It then finds it’s way to Ireland via Northampton when some of the Facey’s moved there. Clearly through slavery and via colonisation in Jamaica, my family name derives via France and Ireland and is not remotely like anything African, which brings us back to The Euro’s because that’s where this post started. I knew I’d get there in the end :o)


Any way well done to the Republic Of Ireland who almost brought on one of my ex Spurs native Irish football hero’s Robbie Keane, just before his name sake scored. I must say that the passion of Martin O’Neill and Roy Keane is very admirable. The worrying thing is that this makes someone like a fellow music Aquarian born in the Irish Republic, the retro 1970’s cardigan wearing crooner Val Doonican seem somewhat very cool like Fonzie right now. I guess thats what happens when you have a direct connection to you native land unlike some born outside the Diaspora’s who are still trying to connect spiritually to their place of origin. So happy St Paddy’s day to all around the world and those from my ole manor school chums of  Perivale Middle School..and yes I might be wearing green today lol !!

“Are You Ready?” like Billy Ocean, will you “Smile” like Kathy Sledge, can you “Keep On” like James D Train Williams , or STOMP like Scott James? Wanna feel the “Sweet Power” like Dr James Mason or do you feel cool like Danny John Jules “The Cat”? Either way you need to get your copy of the 10th Anniversary issue of The Soul Survivors Magazine!!



You that know me must know I was going to do this, so I make no apologies for the length of this post. I have been preparing myself for this day for the longest time.. Not wishing it to come but accepting that “Leaving this planet” like Charles Earland is what is inevitable in life. I got the news that the champ was in trouble up on the ropes.. but the rope a dope wasn’t going to work this time.. I couldn’t feel it in my spirit.. That sucker punch finally made the ultimate impact. Up until around 12.30am this morning I was watching an old VHS video tape of a 1998 recording of a program called ” Ali Night” broadcast on BBC TV.. I thought I’d lost this footage but thankfully last night I found it and it has a special meaning. I was approached to do some music research for this production and was credited right at the end of the credits it says music consultant Fitzroy.
I woke up this morning to the news and yet again my son Jamal does something poignant to smooth the pain within, bless you Big Man! Although I never met one of my inspirations it is one of my proudest moments. I was djing at the Jazz Cafe on a Friday shortly after it was broadcast, when a random gent came up to me and said” it was you wasn’t it that supplied the music for that Mohammed Ali documentary?” I nervously said yes as he guessed correctly seeing as it didn’t mention my full name, and he said “I knew it.. ” what was that “Brown Baby” track you put in there, I need to know? ” I told him it was Diana Ross and he thanked me with so much gratitude. The other two tracks I included was James Brown ” If Ruled The World” and Syl Johnson ” Is It Because I’m Black?”.
Mohammed Ali for me is ” The Greatest Love Of All” icon who touched my life, more so than MJ and JB because of the tranquility he displayed in his life, of knowing oneself totally and not being afraid to go down for the cause of his African people of descent and people period as a humanitarian. He really remains an anomaly with his handsome looks, fighting body machine, his speed his artistry and his articulacy. The way he destroyed Micheal Parkinson on TV was nothing short of one of his greatest victories without physically laying a punch. It’s kinda providential and not co incidental that he ends up having Parkinson’s disease doncha think?
3 years ago a drawing I did back in 1987 of Ali was the front cover image of my Expansion compilation “The Sound Of Universal Love”, that’s how much he inspired me. This film and album says it all and George Benson for me sang one of his best deliveries on ” the fittingly descriptive” The Greatest Love Of All” from the soundtrack of the film about Mohammed Ali that the champ started in. I knew exactly where this album cover was in my collection so I took a photo and am posting it now. I could say so much more, my thoughts are with his family and his true loyal fans and supporters, but I’ll finish with RIPE.. Rest In Peace Eternally Mr ” Float Like. Butterfly And Sting Like A Bee” Mohammed Ali



Unlucky for some but 13 represents the amount of years that the “High Priestess Of Soul” Nina Simone left this plane to travel beyond “The House Of The Rising Sun” aged 70. Nina had an intellect that was often frowned upon as though she should be mentally sectioned and often spiritually would quote through her music and her activism “Don’t Let Me Be Misunderstood”. I loved her defiance against the establishment who sought to silence her because she believed “Everything Must Change” and you could “Go To Hell” if you thought otherwise. With her “Love Me Or Leave Me” attitude, Nina a true Nubian African American “ Little Girl Blue” from a young age, nurtured her gift on cross pollinating classical, jazz, blues, gospel R&B and pop. Don’t get it twisted Nina could be “Funkier Than A Mosquito’s Tweeter” in a unique way, somewhat like a “Mood Indigo” parody. Her griot tales were mesmerising to her indigenous culture, those often considered to be “Strange Fruit”,  in how proud they could be “To Be Young Gifted & Black” whether she spoke out about “Mississippi Goddam”, the excellence of “Mr Bojangles” or sharing her tales to the “African Mailman”, “The Pusher”, the “See-Line Woman” or the “Blues For Mama”. Like putting my finger in a socket I felt that quiver shiver in her voice when she’s sing with so much impassion. With those twinkling trickles of her piano playing prowess, I became enchanted as though she was truly saying to me ”I Put A Spell On You” cause you’re mine and you will forever be a fan of my music. Well Nina ‘Ain’t No Use” me arguing there as Nina was a true Civil Rights campaigner, who risked and sacrificed her career for those who felt ”I Wish I Knew How It Would Feel To Be Free”. “Why?” because Nina’s ethos was “You’ll Never Walk Alone” “In the Morning” or “In The Dark”. Thank you Nina Simone for leaving me and those who love the essence of your beautiful music “Feeling Good”.


Roger Prince Nelson was born June 7th 1958 apparently after his fathers Prince Rogers Trio jazz band. Growing up in Minneapolis Prince was exposed to both rock and soul which would become an advantage in addition to his light complexion in how he transcended both the black and white audiences. Prince showed promise in pursuing music aged 12 with his group of five years Champagne . Aged 17 Prince linked up with Pepe Willie’s 94 East outfit laying guitar licks on tracks “10.15” , “Fortune Teller” and five “Cookhouse 1975 sessions” “If We Don’t You See Me”, “I’ll Always Love You”,”Games” and “Better Than You Think”. Pepe saw Prince’s raw potential and years later releases the “Historical 1977 Session’s” featuring Prince on a favourite instrumental of mine “If You Feel Like Dancin”. By the late 1970’s Prince landed a record deal with Warner Brothers who afforded him what the other labels wouldn’t, the chance to produce his own albums,. This was important to Prince who as a truly gifted multi instrumentalist, played all the instruments on both his debut and follow up albums “For You” and “Prince” circa 1978 and 1979. The latter 1979 album carried “Sexy Dancer” and “I Feel For You” a song that would later be covered and taken to huge heights by label mate Chaka Khan. The single that really broke Prince mainstream was “I Wanna Be Your Lover” and this gave Prince his first performing TV performance. Prince was so overwhelmed and rendered speechless with stage fright, so much so, he vowed that would never happen to him again. Prince admittedly developed his sound in a similar vein to a hero of his Larry Graham’s Grand Central Station funk, vocal and musical ethos, when I spoke with Larry Graham 3 years back for Soul Survivors. With an incredible vocal range by his 3rd, 4th and 5th albums “Dirty Minds”,“Controversy” and “1999”, Prince remained funky producing cuts such as “Head” Controversy “Lady Cab Driver” and “1999”. He managed to masquerade a very unique dual identity persona in both his music and physical dress guises. Prince was able to flex outrageously between both the soul/punk funk world like his contemporary Rick James with equilibrium, and synonymously please the pop and rock world. However it was his risqué cross dressing androgynous sexual/kinky feline persona, wearing hi heels, suspenders, stockings and make up,and a contrasting new romantic, bohemian, Edwardian and gothic style that made him such an anomaly . Flirting with challenging political, social and sexual statements, Prince by the mid 1980’s was a visual personification of Little Richard, Jimi Hendrix, Sly Stone , James Brown and Michael Jackson all morphed into one very fit, athletic,exciting and dynamic performer. Women drooled over him and men either envied or wanted to be like him, Prince was that charismatic .  Between 1982 and 1984 Prince introduced and produced albums by Vanity 6 with “Nasty Girls” being a massive Electric Ball room classic I danced to, and The Time Band, thank heavens for “7779311”. From the Minneapolis camp artist’s Jimmy Jam and Terry Lewis formally of The Time Band went on to become prolific producers in the 1980’s for Janet Jackson, The SOS Band and Change. Morris Day(Time Band) and Apolliona (Vanity 6) co starred in Princes’ 1984 semi autobiographical film “Purple Rain”. The film score was revolutionary like the name of his band, which spawned many hits including the no bass line classic “When Doves Cry” and the Academy award winning best song “Purple Rain”. Between then and 1987 with the films success Prince now had Lisa & Wendy in his band and continued his musical prowess writing a number 2 charting “Manic Monday” recorded by the Bangles. After another swift change in the line up, Prince worked with Scottish pop star Sheila Easton on “You Got The Look “and recruited percussionist Sheila E who had a club hit with “Love Bizzare”. Both featured on the 1987 “Sign Of The Times” double album.  I often wondered if Ready For The World wrote “Oh Sheila” in the style of Prince because of those two ladies? “Housequake” was like Ron Seal ..exactly as the title suggests, with “Starfish And Coffee”, “The Ballad Of Dorothy Parker” and the social commentating “Sign Of The Times” propping up another great concept album. Up until that time from the early 1980’s, Prince and an iconic hero Michael Jackson were the only two black artists who were making waves in a very white dominated MTV world. Although Micheal had more kudos in the industry I’d say that Prince was the more acceptable face as a rock star, partially because his less than squeaky clean image and the fact he could dance and play his guitar with equal eroticism. Prince had his own label Paisley Park with Madhouse and Mavis Staples as signed acts and hits with “Boys And Girls” and “Kiss” covered by Tom Jones. Prince made another three films “Sign Of The Times”, “Under The Cherry Moon” and “Graffiti Bridge”. As we tail off the late 1980’s Prince’s outfit The Family had a club hit with “Screams Of Passion” and that albums “Nothing Compares To You” became a worldwide hit for Irish singer Sinead O Connor. His “Love Sexy” with “Alphabet Street”, collaboration with Chaka Khan and film score for the Batman movie starring Michael Keaton and Jack Nicholson keep Prince relevant as a pioneering entrepreneurial artist . Embracing on occasion jazz, rap, hip hop, and reggae rhythms, Prince in his career has been nominated for over 20  Grammys and won 7, 9 MTV awards and won 4 and 1 successful Academy award. Prince is a controversial character changing his band often and his name. He’s become a Jehovah’s Witness via a huge mentor and friend Larry Graham and can announce he’s doing concert in less than an hour and sell out.  After major wrangling with Warner Brothers Prince went to Sony and recorded the “Musicology” album before he gave an album “Planet Earth” with funky “Chelsea Rodgers” away free for the second time in the Mail On Sunday here in the UK. This paid off in making an 18 million dollar profit from doing sold out concerts as he forwent his 4.6 million licensing fee. 21 years after “Purple Rain”, Prince has influenced many including Melisa Morgan’s superb 1984 cover of “Do Me Baby” Ginuwine’s vocals on an almost “When Doves Cry” produced “I Owe You “ by rapper Nas and Bilal’s latest 2015 album. I conclude I saw Prince at last in 2007 at The 02 Greenwich and he was funky. He will be forever hailed as the “Extraloverable” “Royal Purple Funkness and king of the Minneapolis sound. June 2015


Those words of wisdom providentially were featured in Issue 60 10 months ago of “The Soul Survivors Magazine’ issue 60. This is like James Brown & Micheal Jackson on repeat for me..the last in the legacy of the triple whammy performers who could sing and dance and the same time with simultaneous and separate breathing!! I don’t want to believe it..God help those if this is a scam it’s worse than any imaginable “Controversy”!!. I’m totally speechless ..His Royal Pupleness on the Queens 90th earthday..this is providential and for me who is gonna take the baton for the all round entertainer of massive “Housequake” proportions? Lynda Cann, Josephine French and Ronnie Stephenson ..I feel your pain as true Your Royal Purpleness devotees ..Trust me ..Soul Survivors Magazine will pay homage to his Royal Purpleness Prince..I did a piece on Roger Prince Nelson in the magazine June last year issue 60 and was inspired to do this drawing a week after his 56th earthday which I’m very proud of.. He really was Mr “Musicology” and I named a night after that track back in December 2013 championed by me and Dezzi Deleone . Nuff said!!..”When Doves Cry”..this is this time to to fly to musical heaven..!! April 21st 2016


Luther Ronzoni Vandross was born a Tauren on 20th April 1951 in New York and grew up in a lower Manhattan housing project till his father passed when he was 8 years old before moving to the Bronx. Influenced by his parents and older sister singing, whilst at William Howard Taft high school he formed a vocal group Shades Of Jade with friends Carlos Alomar Diane Sumler and Fonzi Thornton whom he would work with in future times. As part of a musical theatre workshop, they recorded “Listen My Brother” which Luther and his group sang on the children’s Sesame Street in 1969.

By 1973 he written 2 songs recorded by Delores Hall and a year later school friend Carlos Alomar became David Bowie’s guitarist and invited Luther to a recording session at the famous Sigma Sound Studios in Philadelphia.  Bowie upon hearing his velvet tones recruited Luther who co wrote “Fascination” and did BV’s on the “Young American” album. Also rumoured is that Luther sang BV’s on “Golden Years” a track he would sing with another outfit Mascara a few years later.

His composition “Brand New Day” was featured in both the film and Broadway musical of “The Wiz”. By now he was working with Bette Midler, Judy Collins, Gary Glitter and the Brecker Brothers. Whilst working with Bette Midler he met Arif Mardin of Atlantic who worked with the Average White Band Aretha and Chaka Khan and reacquainted his Shades of Jade outfit with the addition of Christine Wiltshire who went on to work with Jocelyn Brown and Leroy Burgess and record two albums under the guise of Luther.

Providential not co incidental Nile Rodgers and Bernard Edwards were part of Luther’s Band reigniting their collaborations from the Sesame Street band. Cotillion dropped the group and Luther ended up retaining the rights to the album so they were out of print why I don’t know as they were nice albums. He became an in demand session singer working with Chic headlining the BV’s of the their “C’est Chic” debut album and the original instrumental version of “Everybody Dance”, Sister Sledge, Quincy Jones, Roberta Flack, Odyssey, Peter Jacques Band, New York City Band, BB&Q Band, Kleeer to Cat Stevens, Ringo Starr & Carole Bayer Sager.

As disco became prevalent Luther fronted bands Lemon, Gregg Diamond, Charme, Mascara and Change…the rest is history. Now 1981 his voice was unmistakable and he touted a successful record deal with Epic a subsidiary of Sony. Again releasing album after album he alongside his partner in rhyme the Marvellous Marcus Miller he co wrote and produced his own albums as well as a few for Cheryl Lynn, Aretha Franklin. Covering many a classic by artists Brenda Russell, Stevie Wonder and Burt Bacharach & Hal David, and Heatwave, Luther had a unique style of replicating a composition as though he’d sung it first.

Luther has sung with many female vocalists including Cheryl Lynn, Gwen Guthrie, Patti Austin, Dionne Warwick, Janet Jackson & Patti Labelle. Travelling around the world doing live concerts, I was lucky enough to see him in the mid 80’s at Wembley, Luther was undoubtedly instantly recognisable on a track even if he was doing BV’s.

His film credit includes “The Meteor Man” a Robert Townsend film where he played a villain within a gang. As wells singing for the 70’s gang epic “The Warriors” and writing a song sung by Roberta Flack for the film starring Cicely Tyson and Richard Prior “Bustin’ Loose”.

Lending his voice to many musical styles mostly gospel & soul based but versatile in other genres, he truly was one in a million as sung by Dee Dee Bridgewater. Even now I discover tracks he featured on and when you listen carefully you wonder how you never recognised him as on it. The reason being that he blends in with background as much as he shines in the fore front. Two years back Melba Moore told me to listen to her album “Closer” and when you hear Luther on “Something On Your Mind” I you’ll understand why. Vocalist songwriter producer and an all around African American Artist of huge proportions…I miss you Luther “Velvet Voice” Vandross.

This was written in July 2010 to celebrate at the time 5 years of losing Luther. I also did a show links included below around the same time so enjoy..Fitzroy

Luther Vandross Special from July 2010 1st hour

Luther Vandross Special from July 2010 2nd hour



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Nicholas Caldwell was born April 5th 1994 in San Francisco. He was a co founder member of Solar Records most successful and consistent male vocal group The Whispers, who originally formed as a vocal quintet before a name change in 1964. Nicholas was a harmonising baritone singer of the group and also the main choreographer. His first performance was for Sly Stone then a Dj in San Francisco and despite passing the audition he declined to join The Temptations. Nicholas penned and arranged quite a few of the groups songs including “Lady”, “Small Talkin’“, “For Romancin’”, “Chocolate Girl”, “Say You (Would Love For Me Too)” and “Give It To Me” as well as for other acts and artist. He wrote, produced and arranged for Collage’s “Do You Like Our Music? / “Get In Touch With Me” albums and Leroy Hutson’s “Nice And Easy”. Nick survived a triple by pass in 2000 but unfortunately passed 5th January 2016. I asked fellow Solar Records recording artist Jeffrey Daniel about his memory of the late Nicholas Cardwell in the current issue 63 of The Soul Survivors Magazine, and this is what he had to say…

Soul Survivors: Towards the end of last year we lost some heavyweight artists including Natalie Cole and Nicholas Caldwell of The Whispers who you would have worked closely with being part of the Solar family. How did his passing impact on you?

Jeffrey Daniel For me personally Nick Caldwell is a very very dear person. When we used to tour with The Whispers I just used to watch this guy. He was the biggest guy on the stage but the lightest on his feet. And even though his beard covered most of his face when he flashed that smile, it made his teeth so much whiter. I used to be in awe watching him dance specifically as his movement was so remarkable. You never heard of any dramas with him, he was never in a bad mood, he was such an honourable and respected person who had a high level of integrity. I just pray for his soul and celebrate knowing him and for the life that he led as being part of The Whispers.



Kolkata: West Indies Captain D Sammy with teammates and trophy celebrates after beating England in the ICC World T20 final match at the Eden Gardens in Kolkata on Sunday. PTI Photo by Swapan Mahapatra (PTI4_3_2016_000324b)
Kolkata: West Indies Captain D Sammy with teammates and trophy celebrates after beating England in the ICC World T20 final match at the Eden Gardens in Kolkata on Sunday. PTI Photo by Swapan Mahapatra (PTI4_3_2016_000324b)

Greetings on this for some a Bob Geldolf & The Boomtown Rats..”I Don’t Like Monday’s”. I woke up this morning about an hour ago and saw that Facebook was awash with proud West Indians blitzing the forum, so I had to investigate like Inspector Morse. “Bumbararss”..”Kiss Me Neck Back” and “Bluudfyaaaah” was the linguistics somersaulting out my mouth. The Windies beat Blighty in the T20 Cricket Final in some pure Jerk Chicken style. Now that game I wished I seen, 19 runs of 7 balls…. was a not so impossible mission to accomplish from the secret agent Bajan Carlos Braithwaite. He lashed in the last over four 6’s of 4 four balls, and must have had a Imagination “Flashback” injection of his predecessor Bajan batsman Sir Gary Sobers, to win the T20 for a historical 2 time. Not only did the women’s team win, lest we forget the under 19’s won too, so like De La Soul “Three Is The Magic Number”. I was proudly beaming like a Ronnie Foster “Cheshire Cat” at such an achievement and triple whammy feat.


That’s the way the mop flops in life when the so called “likkle picnniees” from the the colonised Carribean beat their coined “motherland” of the UK, especially in sport. So I watched Good Morning Britain at 6am and wait for Kate Galloway or Jeremy Kyle to see what their featured news would be, and true to form they never mentioned the historical win from the Windies. Had that been Engerrrrland beating the Windies, I’d give you odds on favourites that Kool & The Gang ‘Celebration “would have been William Bell “Headline News”.


Upon seeing that, I then had a Benjamin Button moment suddenly hit me, when I regressed back to a true ‘Jackanory’ story from the very early 1970’s, remembering  a distinct conversation with some fellow white kids in my school, in between classes or in the playground, asking who I supported in the 1974 Football World Cup that was happening at the time. I naturally said Brazil which didn’t go down to well, only to be told I should support Engerrrrland because ‘I’m British’. My defence was Brazil was the best team and they were also a reflection of how I see myself as a 10 year old black boy. Different story though when it came to West Indies V Engeerland in cricket. These were the glory days of  Blighty’s Tony Greig, Derek Underwood (my fave Engerrrrland bowler by the way)  and Alan Knott. The Windies ‘Hot Pepper Sauce’ line up included Viv Richards, Alvin Kallacharan, Clive Lloyd, Micheal Holding  and Gordon Greenidge. I’d be taunted repeatedily with “We’re gonna beat your lot today” by the same white kids..”your lot”?? Even at that age I’m thinking “So when it comes to cricket you accept that I’m Jamaican and black first, but not in the “beautiful game” of football..??Interesting”.


40 plus years later that same bittersweet taste still rears it’s head in the difference of cultural appreciation but at least it makes “Headline News” in my blog. Being of dual nationality heritage it does sometimes cause “Controversy” like Prince but I’ll say this, it’s unfortunate Engerrrrland lost and Ben Stokes feels like he’s got a Facebook poke, but Buddddrrrrruuuuppps to Carlos Braithwaite for being a Tony The Tiger “GRRREAT”.. Step sah like Buju Banton and “Walk Like A Champion”

Have a not so Bangles classic “Manic Monday”..Enjoy  Fitzroy